Satoshi Tajiri loves insects. He loves it also more to capture it. That’s why his friends known as him “Dr. Tokyo, however, the town was initially quite rural, it developed over the years to the metropolis and afterwards to the most populous town in the world. Simply because far as the insects were concerned, there were just a few areas left where he could catch and collect them. The idea of interacting with nature was suppressed by people’s desire to expand, kids spent more and more time in their personal four walls, preferring to play presently there rather than out now there. wished to protect for posterity, price it what it wished. By which? Best with a video game.

Tajiri himself experienced from his special hobby, but this is entirely self-inflicted. He did not go to school regularly, he only obtained his university entry qualification with great difficulty, so his father wished to get him employment at a power company. Which he successfully completed with a degree in consumer electronics and it.

When Tajiri sent the idea of Pokemon to Nintendo, they showed little enthusiasm. Several occasions he and GAME FREAK were put off, often with the explanation that the concept was not tangible enough. At a later date, Nintendo made the decision that they needed to look at the project once again. Shigeru Miyamoto, who released two of the most successful series of all period with Super Mario and The Legend of Zelda just a few years earlier, showed curiosity in Pokemon and helped Tajiri design the first games: pokemon feuerrot rom nds

it was the prestige task of the entire company, which demanded a whole lot from the employees. Junichi Masuda done the sound and composed most of the sounds and pieces of music known to this day, Talking about development – Tajiri, who led the production, was accountable for this.

Tajiri, “monsters”, the phrase was fixed from the beginning. But there had to be something else, something that clarifies the basic principle of the video game, clarifies and above all does not violate existing copyrights. Zero, rather not. KapuMon? Not possibly. Pocket Monsters? By developing multiple editions with different Pokemon ideal from the start, so they can all become captured. Incidentally, the idea arrived from Miyamoto.

The long development of Pokemon led to huge internal issues with GAME FREAK internally. There was almost always just enough money to cover the employees, often you’d to get fresh cash with other projects. This is one way Nintendo done Yoshiand Mario & Wario, for Sega to Pulseman and for Sony to Smart Ball. Five employees of GAME FREAK left the business due to the difficult circumstance, Tajiri paid forget about money, so there is still enough for the others. He lived in the time of his father’s cash, which could tolerate only under circumstances. Over the years, the monetaray hardship of the advancement studio intensified, which is why the creatures studio associated with Nintendo helped out with cash and, on the other hand, received a third of the franchise rights. The expenditure helped GAME FREAK comprehensive the games – otherwise it would not have ended therefore well.

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